In many cases, metal with folkloristic elements gets the touch of pure fun music – praising Odin and swaying the horns for his glory is enough. MONDVOLLAND also play some danceable melodies, but they prefer a more hearty and serious approach.

The Black Metal part is always present and cares for the necessary aggression. On this fundament, the band builds fine melody arcs, performed by fiddle or flute like in the tune De Vuurman Van Papendal. Of course the guitar got its place in the multilayer and variable sound, but this instrument often operates in the background. In further case, Black Metal holds the lead, sometimes in slightly rumbling manner – just listen to the heart-warming and unkitschy compositions like De Roep Der Gevallen Helden. Some melodies are swinging and heroic, but not obtrusive and only decently pathetic. In addition, MONDVOLLAND find the time to integrate calm moments like the acoustic guitar intermezzi in ‘T Oudreemsterveld.
Something is missing for the downright happiness of the Folk metal fan... I think the mighty refrains or thrilling melodies causing goose bumps! There is no doubt about the authenticity and pride in MONDVOLLAND’s music, but the tunes only cause pleasure and no enthusiasm. The musicians are on the best way during the suspenseful track Daar, Waar Donar Dondert, which convinces with harsh changes in measure and moods. The positive sentiment of the fiddle dominated song De Witte Juffer Van Kernheim acts as additional brownie point.

D’Olde Roop holds a lot of fine folk melodies and hymnal chants, but the songs’ structures cannot take me completely, although the powerful and multilayer performance is entertaining. This album could please all those listeners who prefer a down-to-earth and serious approach contrary to the humppa-sound.